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3rd bass cactus album rar5/3/2023 ![]() ![]() ![]() ![]() The one lone shining star of this whole release is Marley Marl’s revision of “Product of the Environment. The version of “3 Strikes 5000” here is inferior to the one that ultimately wound up on “Derelicts of Dialect.” The bloated CJ Mackintosh & Dave Dorrell reworking of “Brooklyn-Queens” removes all of the whimsical charm of Prince Paul’s original version. Unfortunately no one would be because this album is ASS BACKWARD in so many ways. The Cactus Album: Def Jam 1990 : Cactus Revisited: Def Jam 1991. Name: 3rd Bass The Cactus Album Genre: Rap Hip-Hop Year: 1989 Label: Def Jam Columbia Producer: Pete Nice, MC Serch, Sam Sever, Prince. I’m sure some clever mash-up artist could make that happen if they were motivated to do so. 3rd Bass albums and discography on AllMusic including all best, old, and new album information. It has the same kind of energy as tracks Sever would produce for his own group Downtown Science with Bosco Money, and it honestly wouldn’t have shocked me if Money had made a cameo on the song. You have to go three deep into “ The Cactus Revisited” before anything of substance happens, and that’s the Sam Sever remix to “Wordz of Wizdom.” I don’t favor it over the original, but as a so-called “club mix” I can actually picture it getting people onto the dancefloor. The same can be said for Dave Dorrell’s revision of “The Cactus.” If they could record new verses for the revisit so could Dumile, so the new version is interesting but SUBPAR compared to the original. As much as I appreciate Serch offering a moment of silence for Yusef Hawkins, I can’t help but think some form of disagreement between Nice and Serch resulted in Dumile not being included. MC Serch has spoken at length about his bond with the late Daniel Dumile, who was better known at the time as Zev Love X from K.M.D., so his absence from this “lyrical remix” feels like a slap in the face. It may not have completely integrated rap, but it was a precursor to a culture that became more inclusive and widespread after its arrival.“The Gas Face (Remix)” is as good of a place as any to start. Discover more music, concerts, videos, and pictures with the largest catalogue online at Last.fm. The Cactus Album was also important because it proved to the hip-hop heads that white kids could play along without appropriating or bastardizing the culture. Listen free to 3rd Bass The Cactus Album (Stymies Theme, Sons of 3rd Bass and more). Not every single idea plays out successfully - Serch's Tom Waits impression on "Flippin' Off the Wall." is on the wrong side of the taste line, and "Desert Boots" is a puzzling Western-themed insertion - but they are at least interesting stretches that add to the dense, layered texture of the album. The duo may not have come from the streets, but their hearts were there, and it shows. For one, it is full of great songs, alternately upbeat rollers ("Sons of 3rd Bass"), casual-but-sincere disses ("The Gas Face"), razor-sharp street didacticism ("Triple Stage Darkness," "Wordz of Wizdom"), and sweaty city anthems ("Brooklyn Queens," "Steppin' to the A.M.," odes to day and night, respectively), with A-plus production by heavyweights Prince Paul and Bomb Squad, as well as the surprising, overshadowing work of Sam Sever. Matching MC Serch's bombastic, goofy good nature and Prime Minister Pete Nice's gritty, English-trained wordsmithery (sounding like a young Don in training), 3rd Bass' debut album is revelatory in its way. Besides the upper-middle-class frat-punks-in-rap-clothing shtick of the Beastie Boys and emissary/producer Rick Rubin, who both gained a legitimate, earned respect in the rap community, there were very few white kids in rap's first decade who spoke the poetry of the street with compassion and veneration for the form.
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